How Did We Get Here? Jann Klose on Living Life & Writing Songs From Africa to Europe to America

I had the pleasure of sitting down with internationally acclaimed singer-songwriter Jann Klose for a wide-ranging and candid interview that touched on everything from his globe-spanning upbringing to the creative crossroads that shaped his career. We spoke about his time in theatre, his collaborations with artists like Everett Bradley, and the personal stories behind his latest music. What unfolded was an honest and inspiring look into the life of an artist constantly evolving—on his own terms.

A Global Life: From Mannheim to Manhattan

Mannheim, Nairobi, Johannesburg, Vienna, Cleveland—this geographic list immediately signals a life of extensive travel and rich experience. German-born singer-songwriter Jann Klose confirms that South America remains the only continent he has yet to reside in, a fact set to change soon. “I’m actually heading to Brazil in October to play for the first time. That’s the plan,” he states.

Klose’s journey has encompassed multiple cultures and continents. His formative years included a childhood spent in South Africa through fifth grade, followed by his teenage years in Germany. He later undertook a significant exchange and vocal study programme in the United States, a country he has proudly called home for over 20 years.

The Impact of Travel on Artistic Identity

When asked about the influence of his transcontinental upbringing on his artistic identity, Jann promptly frames the impact in human terms. “It’s informed who I am as a person,” he explains. For him, travel serves as a profound lesson in empathy and commonality. Referencing Stevie Wonder and Paul McCartney’s observation that “people are the same wherever you go,” Klose underscores a fundamental truth: while cultural norms may vary, the human condition exhibits striking consistency.

This perspective enriches his artistry. A deeper understanding of people, in their shared humanity and diversity, enhances both his songwriting and performance. “We’re all human and none of us are perfect. Embracing that actually gives you power,” he reflects.

Lessons from the Stage and Studio

Jann’s extensive career has positioned him alongside musicians of varying calibres, from renowned figures to lesser-known collaborators. Asked what insights he has gained from working with others, he emphasises the critical importance of confidence. “It’s important to really learn how to be yourself in this business,” he notes. Particularly when sharing a professional space with well-established individuals, the challenge lies in balancing admiration with self-worth.

For Klose, songwriting demands honesty, especially concerning one’s insecurities. It is within these imperfections that genuine expression originates. “You kind of have to embrace the things about you that are not perfect and say, well, that’s why I have something to write about.”

Writing with Everett Bradley: A New Creative Chapter

A recent notable collaboration involved Everett Bradley, a performer whose résumé includes work with Bruce Springsteen and Bon Jovi. The two initially connected on the New York music scene, quickly forming a friendship. Bradley subsequently toured with Klose in Germany and performed at significant events, such as the release of In Tandem, an album later acquired by Gallo in South Africa.

However, their partnership recently expanded into songwriting. Bradley approached Klose after a show, expressing interest in exploring a new creative direction. “He started throwing beats at me,” Klose recalls, noting how refreshing it was to be prompted out of his usual creative routine. Together, they experimented with grooves and melodies, ultimately producing “When I’m With You” and three additional tracks slated for a forthcoming album.

Klose stresses that intent is the driving force. “What is the desire that you want to achieve, that you want to talk about, write about?” This shared focus made working with Bradley not only productive but also profoundly inspiring.

The Genesis of “When I’m With You”

Describing the development of “When I’m With You,” Klose credits a conversation with a music supervisor friend who mentioned the trend of songs about best friends. Initially intrigued by the concept, Klose presented it to Bradley, but the creative process soon evolved beyond the initial theme.

“I wanted to find a way to express the feeling that you get when you have a friend or a lover or family—or even a pet—someone you feel completely at ease with.” For inspiration, he turned to one of his own lifelong friends, known since his teenage years. The safety and trust inherent in that relationship formed the emotional core of the song: the unconditional space to be seen, imperfections notwithstanding, without fear of judgement.

Theatre, Television, and a Broader Artistic Canvas

Klose’s talents extend beyond music; he has also engaged in theatre and television, avenues many recording artists do not explore. “I love theatre,” he states, reflecting on his time as a singer-actor. He participated in productions such as Jekyll and Hyde, The Who’s Tommy, and Jesus Christ Superstar, performing in both the U.S. and Europe.

In 2005, he even authored and premiered his own stage work, Moonlight Interior, off-Broadway. Though he eventually focussed more squarely on his music career, the theatrical experience provided invaluable confidence and skills, proving a powerful foundation for both his stagecraft and his sense of artistic self-worth.

The Crossroads of Theatre and Songwriting

While Jann Klose had a promising start in the world of musical theatre, the industry’s demands eventually took their toll. He describes his time in theatre as a “brutal” experience, noting how the system tends to “use you up” with limited long-term sustainability for most performers.

Nevertheless, the experience was not without value. It provided crucial professional confidence. He recalls that period as one where he was “of service” to the production companies, honing his abilities as both a singer and actor. However, after a few years, Klose recognised a deeper personal need that theatre could not fully satisfy.

“I realised that songwriting was more important for me personally,” he states. He had reached a pivotal moment: the imperative to create something truly his own outweighed the steady work and applause of the stage. Even his voice teacher at the time, the respected Claudia Catania, expressed surprise and disappointment at his choice. But Klose remained steadfast: “I have one life, and this is what I want to do. I want to write.”

While he has not ruled out a future return to Broadway, his decision to pursue songwriting full-time has defined his artistic path ever since. As he puts it, “Working on your own terms is a great gift.”

A New Album and Global Tour Plans

With seven full-length albums and two EPs already to his name, Klose now embarks on a new chapter. His upcoming album, anticipated next year, will include “When I’m With You,” co-written with Everett Bradley, along with three other tracks from the same creative process. The songs are already composed, and a few final recording sessions will bring the project to completion.

While he is keeping many details confidential, his focus is clear: “Finish the record… so that we have a lot of setup time.” As always, Klose is approaching this phase with strategic intent, recognising that behind-the-scenes preparation is as crucial as the music itself.

His upcoming travel itinerary reflects both ambition and an enduring global spirit. After concluding studio work, he will travel to Mexico for a combination of performances and personal time, followed by shows in São Paulo, Brazil, this October. Early 2026 will see him return to Germany, with engagements in Hamburg and Berlin, and if plans materialise, South Africa in April or May. “Hopefully South Africa next year, in the spring. That’s the plan,” he adds.

Always Creating, Always Looking Ahead

Even with an impressive discography and a thriving international presence, Klose maintains the humble mindset of a working artist. “I’m always looking for work,” he says with a laugh, noting that the life of a songwriter is one of perpetual motion. “You always have to write another song.”

Currently seeking a new promoter for South Africa, Klose remains open to possibilities—both musical and theatrical. The door is never closed to new projects, new stages, or new collaborations.

His story is one of continual reinvention, grounded in a clear understanding of his identity and what he values most: the art of honest songwriting, the importance of human connection, and the pursuit of new avenues for artistic expression.